PlayShakespeare.com: The Ultimate Free Shakespeare Resource
PlayShakespeare.com: The Ultimate Free Shakespeare Resource
PlayShakespeare.com: The Ultimate Free Shakespeare Resource
PlayShakespeare.com: The Ultimate Free Shakespeare Resource

As You Like It Scenes


Scene 7

Another part of the Forest of Arden.

(Duke Senior; Amiens; First Lord in Arden; Second Lord in Arden; Jaques; Orlando; Adam)

Jaques comes in late to meal, bubbling over with a story about a clown he met. Discussion is interrupted when Orlando bursts in with drawn sword, demanding food. Receiving a gentle answer, he is embarrassed at having supposed the lords to be rough fellows. Before accepting any food he insists on going back to fetch Adam. As the Duke and his men wait for Orlando’s return, Jaques moralizes on the seven stages of mankind’s life. When Orlando returns bearing Adam on his back, Amiens sings a song to accompany their meal. Discovering who Orlando’s father was, the Duke makes him welcome. (205 lines)

A table set out. Enter Duke Senior, Amiens, and Lords, like outlaws.

DUKE S.

I think he be transform’d into a beast,

For I can no where find him like a man.

1. LORD. ARD.

My lord, he is but even now gone hence;

Here was he merry, hearing of a song.

DUKE S.

If he, compact of jars, grow musical,

We shall have shortly discord in the spheres.

Go seek him, tell him I would speak with him.

Enter Jaques.

1. LORD. ARD.

He saves my labor by his own approach.

DUKE S.

Why, how now, monsieur, what a life is this,

That your poor friends must woo your company?

What, you look merrily!

JAQ.

A fool, a fool! I met a fool i’ th’ forest,

A motley fool. A miserable world!

As I do live by food, I met a fool,

Who laid him down, and bask’d him in the sun,

And rail’d on Lady Fortune in good terms,

In good set terms, and yet a motley fool.

“Good morrow, fool,” quoth I. “No, sir,” quoth he,

“Call me not fool till heaven hath sent me fortune.”

And then he drew a dial from his poke,

And looking on it, with lack-lustre eye,

Says very wisely, “It is ten a’ clock.

Thus we may see,” quoth he, “how the world wags.

’Tis but an hour ago since it was nine,

And after one hour more ’twill be eleven,

And so from hour to hour, we ripe and ripe,

And then from hour to hour, we rot and rot;

And thereby hangs a tale.” When I did hear

The motley fool thus moral on the time,

My lungs began to crow like chanticleer,

That fools should be so deep contemplative;

And I did laugh sans intermission

An hour by his dial. O noble fool!

A worthy fool! Motley’s the only wear.

DUKE S.

What fool is this?

JAQ.

O worthy fool! One that hath been a courtier,

And says, if ladies be but young and fair,

They have the gift to know it; and in his brain,

Which is as dry as the remainder biscuit

After a voyage, he hath strange places cramm’d

With observation, the which he vents

In mangled forms. O that I were a fool!

I am ambitious for a motley coat.

DUKE S.

Thou shalt have one.

JAQ.

It is my only suit—

Provided that you weed your better judgments

Of all opinion that grows rank in them

That I am wise. I must have liberty

Withal, as large a charter as the wind,

To blow on whom I please, for so fools have;

And they that are most galled with my folly,

They most must laugh. And why, sir, must they so?

The why is plain as way to parish church:

He that a fool doth very wisely hit

Doth very foolishly, although he smart,

Not to seem senseless of the bob; if not,

The wise man’s folly is anatomiz’d

Even by the squand’ring glances of the fool.

Invest me in my motley; give me leave

To speak my mind, and I will through and through

Cleanse the foul body of th’ infected world,

If they will patiently receive my medicine.

DUKE S.

Fie on thee! I can tell what thou wouldst do.

JAQ.

What, for a counter, would I do but good?

DUKE S.

Most mischievous foul sin, in chiding sin:

For thou thyself hast been a libertine,

As sensual as the brutish sting itself,

And all th’ embossed sores, and headed evils,

That thou with license of free foot hast caught,

Wouldst thou disgorge into the general world.

JAQ.

Why, who cries out on pride

That can therein tax any private party?

Doth it not flow as hugely as the sea,

Till that the weary very means do ebb?

What woman in the city do I name,

When that I say the city-woman bears

The cost of princes on unworthy shoulders?

Who can come in and say that I mean her,

When such a one as she, such is her neighbor?

Or what is he of basest function,

That says his bravery is not on my cost,

Thinking that I mean him, but therein suits

His folly to the mettle of my speech?

There then! How then? What then? Let me see wherein

My tongue hath wrong’d him; if it do him right,

Then he hath wrong’d himself. If he be free,

Why then my taxing like a wild goose flies,

Unclaim’d of any man. But who comes here?

Enter Orlando with his sword drawn.

ORL.

Forbear, and eat no more.

JAQ.

Why, I have eat none yet.

ORL.

Nor shalt not, till necessity be serv’d.

JAQ.

Of what kind should this cock come of?

DUKE S.

Art thou thus bolden’d, man, by thy distress?

Or else a rude despiser of good manners,

That in civility thou seem’st so empty?

ORL.

You touch’d my vein at first. The thorny point

Of bare distress hath ta’en from me the show

Of smooth civility; yet am I inland bred,

And know some nurture. But forbear, I say,

He dies that touches any of this fruit

Till I and my affairs are answered.

JAQ.

And you will not be answer’d with reason,

I must die.

DUKE S.

What would you have? Your gentleness shall force,

More than your force move us to gentleness.

ORL.

I almost die for food, and let me have it.

DUKE S.

Sit down and feed, and welcome to our table.

ORL.

Speak you so gently? Pardon me, I pray you.

I thought that all things had been savage here,

And therefore put I on the countenance

Of stern command’ment. Bur what e’er you are

That in this desert inaccessible,

Under the shade of melancholy boughs,

Lose and neglect the creeping hours of time;

If ever you have look’d on better days,

If ever been where bells have knoll’d to church,

If ever sate at any good man’s feast,

If ever from your eyelids wip’d a tear,

And know what ’tis to pity, and be pitied,

Let gentleness my strong enforcement be,

In the which hope I blush, and hide my sword.

DUKE S.

True is it that we have seen better days,

And have with holy bell been knoll’d to church,

And sat at good men’s feasts, and wip’d our eyes

Of drops that sacred pity hath engend’red;

And therefore sit you down in gentleness,

And take upon command what help we have

That to your wanting may be minist’red.

ORL.

Then but forbear your food a little while,

Whiles, like a doe, I go to find my fawn,

And give it food. There is an old poor man,

Who after me hath many a weary step

Limp’d in pure love; till he be first suffic’d,

Oppress’d with two weak evils, age and hunger,

I will not touch a bit.

DUKE S.

Go find him out,

And we will nothing waste till you return.

ORL.

I thank ye, and be blest for your good comfort!

Exit.

DUKE S.

Thou seest we are not all alone unhappy:

This wide and universal theatre

Presents more woeful pageants than the scene

Wherein we play in.

JAQ.

All the world’s a stage,

And all the men and women merely players;

They have their exits and their entrances,

And one man in his time plays many parts,

His acts being seven ages. At first the infant,

Mewling and puking in the nurse’s arms.

Then the whining schoolboy, with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress’ eyebrow. Then a soldier,

Full of strange oaths, and bearded like the pard,

Jealous in honor, sudden, and quick in quarrel,

Seeking the bubble reputation

Even in the cannon’s mouth. And then the justice,

In fair round belly with good capon lin’d,

With eyes severe and beard of formal cut,

Full of wise saws and modern instances;

And so he plays his part. The sixt age shifts

Into the lean and slipper’d pantaloon,

With spectacles on nose, and pouch on side,

His youthful hose, well sav’d, a world too wide

For his shrunk shank, and his big manly voice,

Turning again toward childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness, and mere oblivion,

Sans teeth, sans eyes, sans taste, sans every thing.

Enter Orlando with Adam.

DUKE S.

Welcome. Set down your venerable burden,

And let him feed.

ORL.

I thank you most for him.

ADAM.

So had you need,

I scarce can speak to thank you for myself.

DUKE S.

Welcome, fall to. I will not trouble you

As yet to question you about your fortunes.

Give us some music, and, good cousin, sing.

Song.

AMI.

Blow, blow, thou winter wind,

Thou art not so unkind

As man’s ingratitude;

Thy tooth is not so keen,

Because thou art not seen,

Although thy breath be rude.

Heigh-ho, sing heigh-ho! Unto the green holly,

Most friendship is feigning, most loving mere folly.

Then heigh-ho, the holly!

This life is most jolly.

Freeze, freeze, thou bitter sky,

That dost not bite so nigh

As benefits forgot;

Though thou the waters warp,

Thy sting is not so sharp

As friend rememb’red not.

Heigh-ho, sing, etc.

DUKE S.

If that you were the good Sir Rowland’s son,

As you have whisper’d faithfully you were,

And as mine eye doth his effigies witness

Most truly limn’d and living in your face,

Be truly welcome hither. I am the Duke

That lov’d your father. The residue of your fortune,

Go to my cave and tell me. Good old man,

Thou art right welcome as thy master is.

Support him by the arm. Give me your hand,

And let me all your fortunes understand.

Exeunt.

 

Use Power Search to search the works

Please consider making a small donation to help keep this site free.

PP

Log in or Register

Register
Forgot username  Forgot password
Get the Shakespeare Pro app