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Well, we now have five shows up and running. Musketeers opened Saturday night, miraculously with only minor hitches. Director, cast and our redoubtable stage managers Amy and Shannon somehow pulled it all together and we got it on stage in all its raggedy splendor. I'll write more about the show next week; in the meantime, here's a link to four pages of great photographs, a mix of rehearsal and full-dress shots, from our company member Zach Andrews:
Henry played three times in the week just past, including a double shot Sunday-- matinee and evening, with a talk-back after the afternoon show-- and many of us, tired as we were, welcomed the opportunity to perform the show back-to-back. It's difficult to generate momentum and "flow" in your performance when several days elapse between shows, though it gets easier as you get more performances under your belt. By the Sunday night show, I was feeling loose and relaxed, more confident in the first scenes of Act I and with a freedom to try some new things-- different emphases, new colors, some fresher line readings-- in the big downfall scene of III, 2. A couple of reviews of Henry came out during the week; they're good, and fair to the show I think, though the Denver Post critic seems to be in some confusion over the play's date of composition-- it was probably written around 1613, ten years too late to curry any significant favor with Elizabeth (who had died, as he correctly notes, in 1603). Here are links to that piece and to the Boulder Daily Camera review as well:
(this one has a fairly good picture of your hard-working correspondent)
(and this one even spells my name right.)