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So begins my four-day, five-play and one interview tour of England's Shakespearean scene. I am currently sitting in the cafe/bar area of the Tobacco Factory in Bristol. I left London by train in the afternoon, and after an unremarkable journey, arrived in Bristol an hour and a half later. It was a ten-minute (and clearly signposted, thankfully) walk to the Youth Hostel, followed by a longer, more languid trek to the Tobacco Factory, outside the city center.
The Tobacco Factory is one of those re-claimed, re-constituted spaces, now trendy and housing a flourishing arts scene along with a sizable bar/cafe. Speaking of which, the spicy (curried) carrot soup + a portion of homemade bread has just arrived. Tasty. The cafe/bar is large and open, with a small raised stage area on its far left side. A series of red beanbags line the stage, in addition to painted warnings: 'No kids on the stage'. How are they supposed to resist? [Having just set down my laptop to collect my tea from the bar, I catch the woman sitting next to me reading what I've written so far. Sorry, lady, no points for subtlety.]
Tonight's performance is Richard II -- a play I feel in love with the first time I read it in an introductory Shakespeare class in college. I am eager to see it performed, and early buzz on the Twitterverse has complimentary things to say. As I walked down the long Bristol streets to the Tobacco Factory, I felt the anticipation one feels for a satisfying event: there's something deeply settling about witnessing what you know to be a strong play performed by (what will hopefully be) a strong cast.
Tomorrow is a train ride back to London, a short Tube journey to an east London train station, followed by a train ride to Norwich.
Review of Richard II forthcoming!