A room in Duke Orsino’s palace.
(Duke; Viola; Curio; Clown; Attendants)English
Orsino calls for yet more music, a song he heard the other day and greatly enjoyed. Its proper singer is Feste, who is hanging around the palace, and he is sent for. In the meantime, Orsino has the music played, and listens to it with Viola. Asking “Cesario” how he likes it, Orsino soon works out that the “young man” is in love. As he questions her, Viola tries to lie as little as possible about who she’s in love with. Her description of a woman resembling him amuses Orsino a great deal, and he gives the boy a great deal of advice. Feste comes in and sings the song. Orsino demands that “Cesario” return to plead to Olivia once again. Viola tries to make him see reason, but he refuses to accept that Olivia could refuse him. Orsino also cannot believe that a woman can love as deeply as a man, but Viola contradicts him, telling him of “his sister’s” love for a man, in truth talking about her own feelings for Orsino. The Duke sends “him” off all the same. (124 lines)
Enter Duke, Viola, Curio, and others. DUKE. VIO. CUR. Attendants
Give me some music. Now good morrow, friends.
Now, good Cesario, but that piece of song,
That old and antique song we heard last night;
Methought it did relieve my passion much,
More than light airs and recollected terms
Of these most brisk and giddy-paced times.
Come, but one verse.
He is not here, so please your lordship, that should sing it.
Who was it?
Feste the jester, my lord, a fool that the Lady Olivia’s father took much delight in. He is about the house.
Seek him out, and play the tune the while.
Exit Curio. CUR.
Come hither, boy. If ever thou shalt love,
In the sweet pangs of it remember me;
For such as I am, all true lovers are,
Unstaid and skittish in all motions else,
Save in the constant image of the creature
That is belov’d. How dost thou like this tune?
It gives a very echo to the seat
Where Love is thron’d.
Thou dost speak masterly.
My life upon’t, young though thou art, thine eye
Hath stay’d upon some favor that it loves.
Hath it not, boy?
A little, by your favor.
What kind of woman is’t?
Of your complexion.
She is not worth thee then. What years, i’ faith?
About your years, my lord.
Too old, by heaven. Let still the woman take
An elder than herself, so wears she to him;
So sways she level in her husband’s heart.
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,
More longing, wavering, sooner lost and worn,
Than women’s are.
I think it well, my lord.
Then let thy love be younger than thyself,
Or thy affection cannot hold the bent;
For women are as roses, whose fair flow’r
Being once display’d, doth fall that very hour.
And so they are; alas, that they are so!
To die, even when they to perfection grow!
Enter Curio and Clown. CUR. CLO.
O fellow, come, the song we had last night.
Mark it, Cesario, it is old and plain.
The spinsters and the knitters in the sun,
And the free maids that weave their thread with bones,
Do use to chaunt it. It is silly sooth,
And dallies with the innocence of love,
Like the old age.
Are you ready, sir?
Ay, prithee sing.
Music. The Song CLO.
Come away, come away, death,
And in sad cypress let me be laid.
Fly away, fly away, breath,
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet
On my black coffin let there be strown.
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown.
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there.
There’s for thy pains.
No pains, sir, I take pleasure in singing, sir.
I’ll pay thy pleasure then.
Truly, sir, and pleasure will be paid, one time or another.
Give me now leave to leave thee.
Now the melancholy god protect thee, and the tailor make thy doublet of changeable taffeta, for thy mind is a very opal. I would have men of such constancy put to sea, that their business might be every thing and their intent every where, for that’s it that always makes a good voyage of nothing. Farewell.
Let all the rest give place.
Curio and Attendants retire. CUR. Attendants
Once more, Cesario,
Get thee to yond same sovereign cruelty,
Tell her, my love, more noble than the world,
Prizes not quantity of dirty lands;
The parts that fortune hath bestow’d upon her,
Tell her, I hold as giddily as fortune;
But ’tis that miracle and queen of gems
That nature pranks her in attracts my soul.
But if she cannot love you, sir?
I cannot be so answer’d.
Sooth, but you must.
Say that some lady, as perhaps there is,
Hath for your love as great a pang of heart
As you have for Olivia. You cannot love her;
You tell her so. Must she not then be answer’d?
There is no woman’s sides
Can bide the beating of so strong a passion
As love doth give my heart; no woman’s heart
So big, to hold so much; they lack retention.
Alas, their love may be call’d appetite,
No motion of the liver, but the palate,
That suffer surfeit, cloyment, and revolt,
But mine is all as hungry as the sea,
And can digest as much. Make no compare
Between that love a woman can bear me
And that I owe Olivia.
Ay, but I know—
What dost thou know?
Too well what love women to men may owe;
In faith, they are as true of heart as we.
My father had a daughter lov’d a man
As it might be perhaps, were I a woman,
I should your lordship.
And what’s her history?
A blank, my lord; she never told her love,
But let concealment like a worm i’ th’ bud
Feed on her damask cheek; she pin’d in thought,
And with a green and yellow melancholy
She sate like Patience on a monument,
Smiling at grief. Was not this love indeed?
We men may say more, swear more, but indeed
Our shows are more than will; for still we prove
Much in our vows, but little in our love.
But died thy sister of her love, my boy?
I am all the daughters of my father’s house,
And all the brothers too—and yet I know not.
Sir, shall I to this lady?
Ay, that’s the theme,
To her in haste; give her this jewel; say
My love can give no place, bide no denay.
Exeunt. DUKE. VIO. Attendants CUR.